Description
Tsutomu Nihei is an internationally known Japanese comic artist and draftsman. Born in 1971, Nihei made his debut in the comics world as the winner of the 1995 Afternoon Magazine Four Seasons Award for short stories. He then briefly worked as an assistant to veteran comicker Tsutomu Takahashi before making his break-through hit BLAME! (published by Tokyopop).
The BLAME! franchise was so well received worldwide, that it inspired an animated mini-series and eventually drew the attention of Marvel Comics in the US. Nihei would later go on to draw Wolverine (X-Men) and HALO comics for Marvel to great fanfare. An architectural student, Nihei’s early work were mainly wordless, relying on visuals and backgrounds to tell their stories. Now, his works are deeply rooted in hard science-fiction, as was seen in the multiple NY Times Bestselling books HALO: The Graphic Novel (published by Marvel Comics) and BIOmega (published by Viz Media).
Sanakan attempts to destroy the Central A.I., as Mensab and her guardian knight, Seu, fight for the lives of the human residents they promised to protect. After the Central A.I. recklessly attempts to forward the whole of TOHA Heavy Industries, Kyrii and Cibo are left with a precious genetic sample from a very old human being. Wanting to test the genetic sample for signs of the Net Terminal Gene, Kyrii and Cibo make their way through an unofficial megastructure…
“Blame! presents the dark side of transhumanism, where human beings unencumbered by humanity readily use technology to remake themselves into walking monstrosities, gaining incredible abilities even as they doom themselves to extinction. In Blame!&rsquo,s world, the Singularity arrived a long time ago, but rather than usher in a new golden age, it&rsquo,s left nothing but decimation in its ,wake.” – Opus
One of the manga world’s most intriguing artists returns to the English language world with a re-release of his breakthrough work, BLAME! In a dystopian future, a complex network of machines has pushed humanity to the brink. Robots known as the Builders continued to build a meaningless civilisation with no one to reside in it. Soon these cities reach out to the outer planets, and another breed of life form emerges.
“Blame! presents the dark side of transhumanism, where human beings unencumbered by humanity readily use technology to remake themselves into walking monstrosities, gaining incredible abilities even as they doom themselves to extinction. In Blame! s world, the Singularity arrived a long time ago, but rather than usher in a new golden age, it s left nothing but decimation in its wake.” – Opus
Sammelband
Tsutomu Nihei is an internationally known Japanese comic artist and draftsman. Born in 1971, Nihei made his debut in the comics world as the winner of the 1995 Afternoon Magazine Four Seasons Award for short stories. He then briefly worked as an assistant to veteran comicker Tsutomu Takahashi before making his break-through hit BLAME! (published by Tokyopop).
The BLAME! franchise was so well received worldwide, that it inspired an animated mini-series and eventually drew the attention of Marvel Comics in the US. Nihei would later go on to draw Wolverine (X-Men) and HALO comics for Marvel to great fanfare. An architectural student, Nihei’s early work were mainly wordless, relying on visuals and backgrounds to tell their stories. Now, his works are deeply rooted in hard science-fiction, as was seen in the multiple NY Times Bestselling books HALO: The Graphic Novel (published by Marvel Comics) and BIOmega (published by Viz Media).
Ü,ber den Autor
Tsutomu Nihei is an internationally known Japanese comic artist and draftsman. Born in 1971, Nihei made his debut in the comics world as the winner of the 1995 Afternoon Magazine Four Seasons Award for short stories. He then briefly worked as an assistant to veteran comicker Tsutomu Takahashi before making his break-through hit BLAME! (published by Tokyopop).
The BLAME! franchise was so well received worldwide, that it inspired an animated mini-series and eventually drew the attention of Marvel Comics in the US. Nihei would later go on to draw Wolverine (X-Men) and HALO comics for Marvel to great fanfare. An architectural student, Nihei’s early work were mainly wordless, relying on visuals and backgrounds to tell their stories. Now, his works are deeply rooted in hard science-fiction, as was seen in the multiple NY Times Bestselling books HALO: The Graphic Novel (published by Marvel Comics) and BIOmega (published by Viz Media).
Klappentext
Sanakan attempts to destroy the Central A.I., as Mensab and her guardian knight, Seu, fight for the lives of the human residents they promised to protect. After the Central A.I. recklessly attempts to forward the whole of TOHA Heavy Industries, Kyrii and Cibo are left with a precious genetic sample from a very old human being. Wanting to test the genetic sample for signs of the Net Terminal Gene, Kyrii and Cibo make their way through an unofficial megastructure…
